By Richard Harrington
Real-World advertisement initiatives offered in complete colour characteristic the paintings of popular artists, Chris and Trish Meyer, Jayse Hansen, Mark Coleran, Ken Locsmandi and others. The tutorials are advertisement tasks that the artists created for a consumer finances of $10,000 or much less, utilizing purely the plug-ins that include the software program. unique concentration is given to the basic suggestions which are vital to amateur movement image artists. The spouse DVD comprises the resource documents required for the reader to copy the ideas in addition to Apple QuickTime shows of the ultimate tasks. The tasks disguise quite a lot of sensible purposes together with broadcast animation, big-screen movie trailers, tune video compositing, trade event shows, DVD menu pix, and cel animation with Flash. * Real-World initiatives from 11 movement pics professionals * discover ways to harness After results' robust toolset * spouse DVD contains all resource documents so that you can re-create the initiatives
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Extra info for After Effects @ Work: DV Expert Series
When you run across a shape with a gap that prevents you from filling it, switch to the Brush and dab the gap to close it off. Then go back to the Bucket to fill it. Got tiny areas that are difficult to click to fill? Dab it with the Brush tool. ) A completed frame. ) :: SHADOWS AND HIGHLIGHTS DONE RIGHT Animators love shortcuts. Who doesn’t? In my opinion, however, you should never cut corners on shadows. Using simple techniques, I’ll show you how to create beautiful shadows and highlights. Open Shot 1 in Flash; I’ll be using it as the example.
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Rotate the Ground layer –80° on the X-axis and adjust its position on the Z-axis so that it sits in front of the Foreground layer. Adjust its Y position so that the Ground ends just below the tree roots. Your result should look like FIGURE 31. 10. Select all three layers and pre-compose them. 11. Toggle on Collapse Transformations and 3D Layer for your new composition. 12. Switch the view back to Active Camera and unhide Lucid. 13. Next adjust the Y and Z position so that Lucid is placed in the proper position and scaled to the scenery.
After Effects @ Work: DV Expert Series by Richard Harrington